A snippet of a work in progress. I’m working this piece with split stitches in purple and silver thread.
Posts Tagged ‘Sewing’
Purple Embroidery
Tags: Art, Sewing, Textiles, Work in Progress
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Plush Horse’s Head
I’ve had the needle and thread out again; as my first hobby horse approaches completion I have started work on this plush alternative which is more in keeping with hobby horses as children’s toys.
Rather than draw out a lovely pattern to make this head I opted for a patchwork affair which really was a lot more difficult than I had imagined. The intended outcome was to produce something that was more akin to a Frankenstein’s monster type creation with asymmetrical seams and the stitches on display rather than an idealised vision of a unicorn.
There’s a long way to go but I’m quite happy with the progress so far.
I’ve had the needle and thread out again; as my first hobby horse approaches completion I have started work on this plush alternative which is more in keeping with hobby horses as children’s toys.
Rather than draw out a lovely pattern to make this head I opted for a patchwork affair which really was a lot more difficult than I had imagined. The intended outcome was to produce something that was more akin to a Frankenstein’s monster type creation with asymmetrical seams and the stitches on display rather than an idealised vision of a unicorn.
There’s a long way to go but I’m quite happy with the progress so far.
Tags: Art, Sewing, Stitch, Textiles, Work in Progress
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Takashi Iwasaki’s Embroideries
I found these wonderful embroideries by Takashi Iwasaki on the Oh, What a World, what a world blog last week. I think my own embroideries are a way off this level at the moment but it’s provided plenty of inspiration.
I hadn’t yet considered working on black fabric though it would seem to be the obvious next step though given the recent white on black drawings I’ve been creating. I’m wary of simply embroidering the drawings as they are to create a piece of textile wall art. This may be a point from which to start as I try to develop my embroidery skills but the process of simply replicating the drawings in stitch feels rather futile as an end in itself.
You can find a lot more wonderful work by Iwasaki on his website: www.takashiiwasaki.info
I found these wonderful embroideries by Takashi Iwasaki on the Oh, What a World, what a world blog last week. I think my own embroideries are a way off this level at the moment but it’s provided plenty of inspiration.
I hadn’t yet considered working on black fabric though it would seem to be the obvious next step though given the recent white on black drawings I’ve been creating. I’m wary of simply embroidering the drawings as they are to create a piece of textile wall art. This may be a point from which to start as I try to develop my embroidery skills but the process of simply replicating the drawings in stitch feels rather futile as an end in itself.
You can find a lot more wonderful work by Iwasaki on his website: www.takashiiwasaki.info
Tags: Art, Craft, Inspiration, Sewing, Stitch, Textiles
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Celtic Knot Emroidery
Over the Christmas week I got to work on a new piece of work. It’s my most ambitious embroidery to date; at least in terms of scale. I completed these two hand embroidered Celtic knotted circles over the course of the last couple of days and I’m now in the progress of marking out the rest of the fabric.
Over the Christmas week I got to work on a new piece of work. It’s my most ambitious embroidery to date; at least in terms of scale. I completed these two hand embroidered Celtic knotted circles over the course of the last couple of days and I’m now in the progress of marking out the rest of the fabric.
Tags: Art, Sewing, Stitch, Textiles, Work in Progress
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Human Hair Embroidered Portraits
These portraits by Columbian artist Zaira Pulido are all constructed with the hair of the sitter. The portraits themselves don’t do much for me but I do like the idea of embroidering with hair.
Although I’ve been working with embroidery a lot lately I hadn’t really given much consideration to using anything but cotton threads. Having used synthetic hair in my work on previous occasions I’d be interested to find out how the introduction of hair, synthetic or otherwise, would impact upon the work if at all.
I’ve already secured some horse hair from a colleague so watch this space.
These portraits by Columbian artist Zaira Pulido are all constructed with the hair of the sitter. The portraits themselves don’t do much for me but I do like the idea of embroidering with hair.
Although I’ve been working with embroidery a lot lately I hadn’t really given much consideration to using anything but cotton threads. Having used synthetic hair in my work on previous occasions I’d be interested to find out how the introduction of hair, synthetic or otherwise, would impact upon the work if at all.
I’ve already secured some horse hair from a colleague so watch this space.
Tags: Art, Grotesque, Sewing, Textiles
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Kaunas Textile Biennial: Part 2
After a ridiculously busy month or so these blog posts about my adventures in Lithuania have been a long time coming but here’s part two for your delectation:
During the Kaunas Biennial the M. Žilinskas Art Gallery is playing host to the competitive exhibition of textile art. The exhibition features work by a number of well known artists working across a a wide breadth of contemporary textile practices. There were far too many fantastic works on display for me to cover them all so I’ve just picked out a few of my highlights here.
The main gallery downstairs had been dedicated to this exhibition and a large number of works were on display throughout the museum scattered amongst the permanent collection. Of particular interest to me were the embroideries by Virginie Rochetti and Nina Bondeson.
Virginie Rochetti is a French artist who had produced a large machine embroidered work exploring the violence that she feels is prevalent within modern society. I was particularly drawn in to her work by the text which the artist had produced to accompany the work as I drew a number of comparisons between her approach to her practice and my own work. Rochetti, however, talks about it much more eloquently than I ever could though:
Embroidery is a a repetitive activity that can drive one wild. A fantasy of total control over a fleeting and soft material.Soft and delicious. A fantasy of sensuality at the prick of a needle point.
The Swedish artist, Nina Bondeson, exhibited a series of embroideries which document the loose narrative of imaginary characters that she has created such as the dog Hyperion and his master, the self taught linguistic researcher, Jeremy Adagio. Although I have dipped into the world of embroidery myself recently I’m no expert, but I would guess that Bondeson’s work, unlike Rochetti’s, were hand, rather than machine embroidered. Her three dimensional embroidered dog was particularly interesting. Rather than embroidering the character, Bondeson created a three dimensional version of her charcter which she embellished with embroidered references to the narratives she had dreamed up for him.
Both of these artists provided me with plenty of inspiration for my own work with regard to the embroideries that I’ve been undertaking recently.
Also on display in the main gallery was work by the British artist Alice Kettle. Despite being an admirer of Kettle’s work I had not had the chance to see it in the flesh until now. This piece is a stitched portrait of the Kilkenny sorceress Alice Kyteler. The test tubes shown in front of the work represent ‘the alchemy of thread and the beginning of the magic of making’.
Kettle’s work was certainly one of the most striking works on display at the M. Žilinskas Art Gallery and is quite something to behold as it is so tactile and sumptuous. The magic of Kettle’s making was almost positively palpable.
One of the most striking works on display was the installation entitled Lure from the Red Thread Legend series by Chinese-American artist Beili Liu.
The ancient Chinese legend of the red thread tells that when children are born, invisible red threads connect them to the ones whom they are fated to be with. Over the years of their lives they come closer and eventually find each other, overcoming the distance, cultural, and social divides, between them.
This installation of thousands of spiralled coils of red thread appeared very delicate. Each coil was pierced by a sewing needle connecting it to one of the other coils within the installation beautifully illustrating the old Chinese legend.
These are just some of my personal highlights from the exhibition at the M. Žilinskas Art Gallery but there a few links to the websites of the artists mentioned above as well as some of the other exhibitors below. The Biennial actually continues until the 4 December so if you do find yourself in that particular part of Eastern Europe in coming weeks then you’ve still time to see all of this wonderful work.
Interesting and Useful Links:
Nina Bondeson (Sweden): http://ramverk.se/vardagsbilder/nina/
Kristina Cyziute (Lithuania): http://kristatex.ten.lt
Amelie Brisson-Darveau (Canada): www.ameliebd.com
Ainsley Hillard (UK): www.ainsleyhillard.com
Tonje Hoydahl Sorli: www.tonjesorli.com
Alice Kettle (UK): www.alicekettle.com
Beili Liu (China/USA): www.beililiu.com
Katya Oicherman (Israel): www.oicherman.com
Virginie Rochetti (France): http://v.rochetti.blog.free.fr
Tilleke Schwarz (The Netherlands): www.tillekeschwarz.com
After a ridiculously busy month or so these blog posts about my adventures in Lithuania have been a long time coming but here’s part two for your delectation:
During the Kaunas Biennial the M. Žilinskas Art Gallery is playing host to the competitive exhibition of textile art. The exhibition features work by a number of well known artists working across a a wide breadth of contemporary textile practices. There were far too many fantastic works on display for me to cover them all so I’ve just picked out a few of my highlights here.
The main gallery downstairs had been dedicated to this exhibition and a large number of works were on display throughout the museum scattered amongst the permanent collection. Of particular interest to me were the embroideries by Virginie Rochetti and Nina Bondeson.
Virginie Rochetti is a French artist who had produced a large machine embroidered work exploring the violence that she feels is prevalent within modern society. I was particularly drawn in to her work by the text which the artist had produced to accompany the work as I drew a number of comparisons between her approach to her practice and my own work. Rochetti, however, talks about it much more eloquently than I ever could though:
Embroidery is a a repetitive activity that can drive one wild. A fantasy of total control over a fleeting and soft material.Soft and delicious. A fantasy of sensuality at the prick of a needle point.
The Swedish artist, Nina Bondeson, exhibited a series of embroideries which document the loose narrative of imaginary characters that she has created such as the dog Hyperion and his master, the self taught linguistic researcher, Jeremy Adagio. Although I have dipped into the world of embroidery myself recently I’m no expert, but I would guess that Bondeson’s work, unlike Rochetti’s, were hand, rather than machine embroidered. Her three dimensional embroidered dog was particularly interesting. Rather than embroidering the character, Bondeson created a three dimensional version of her charcter which she embellished with embroidered references to the narratives she had dreamed up for him.
Both of these artists provided me with plenty of inspiration for my own work with regard to the embroideries that I’ve been undertaking recently.
Also on display in the main gallery was work by the British artist Alice Kettle. Despite being an admirer of Kettle’s work I had not had the chance to see it in the flesh until now. This piece is a stitched portrait of the Kilkenny sorceress Alice Kyteler. The test tubes shown in front of the work represent ‘the alchemy of thread and the beginning of the magic of making’.
Kettle’s work was certainly one of the most striking works on display at the M. Žilinskas Art Gallery and is quite something to behold as it is so tactile and sumptuous. The magic of Kettle’s making was almost positively palpable.
One of the most striking works on display was the installation entitled Lure from the Red Thread Legend series by Chinese-American artist Beili Liu.
The ancient Chinese legend of the red thread tells that when children are born, invisible red threads connect them to the ones whom they are fated to be with. Over the years of their lives they come closer and eventually find each other, overcoming the distance, cultural, and social divides, between them.
This installation of thousands of spiralled coils of red thread appeared very delicate. Each coil was pierced by a sewing needle connecting it to one of the other coils within the installation beautifully illustrating the old Chinese legend.
These are just some of my personal highlights from the exhibition at the M. Žilinskas Art Gallery but there a few links to the websites of the artists mentioned above as well as some of the other exhibitors below. The Biennial actually continues until the 4 December so if you do find yourself in that particular part of Eastern Europe in coming weeks then you’ve still time to see all of this wonderful work.
Interesting and Useful Links:
Nina Bondeson (Sweden): http://ramverk.se/vardagsbilder/nina/
Kristina Cyziute (Lithuania): http://kristatex.ten.lt
Amelie Brisson-Darveau (Canada): www.ameliebd.com
Ainsley Hillard (UK): www.ainsleyhillard.com
Tonje Hoydahl Sorli: www.tonjesorli.com
Alice Kettle (UK): www.alicekettle.com
Beili Liu (China/USA): www.beililiu.com
Katya Oicherman (Israel): www.oicherman.com
Virginie Rochetti (France): http://v.rochetti.blog.free.fr
Tilleke Schwarz (The Netherlands): www.tillekeschwarz.com
Tags: Art, Exhibition, Fine Art, Inspiration, Sewing, Stitch, Textiles
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29 Embroidery Stitches
This is a very handy little booklet of embroidery stitches that used to belong to my Grandma’s next door neighbour once upon a time (c.1935) in northern English town far away. Having recently embarked on my first few embroideries this, along with the other booklet I uploaded last month, has provided an excellent tutorial.
The stitches featured are:
Running & Laced Running Stitches, Tent Stitch, Cross Stitch, Herring Bone Stitch, Chain Stitch, Daisy Stitch, Chequer Chain Stitch, Double Back Stitch, Pekinese Stitch, Stem Stitch, Hemstitch, Blanket Stitch, Buttonhole Stitch, Roumainian Stitch, Fly Stitch, Couching, Needleweaving, Chevron Stitch, Straight Stitch, Holbein Stitch, French Knots, Coral Stitch, Satin Stitch, Twisted Chain Stitch, Rosette Chain Stitch, Flat Stitch, Bullion Stitch and Feather Stitch.
This is a very handy little booklet of embroidery stitches that used to belong to my Grandma’s next door neighbour once upon a time (c.1935) in northern English town far away. Having recently embarked on my first few embroideries this, along with the other booklet I uploaded last month, has provided an excellent tutorial.
The stitches featured are:
Running & Laced Running Stitches, Tent Stitch, Cross Stitch, Herring Bone Stitch, Chain Stitch, Daisy Stitch, Chequer Chain Stitch, Double Back Stitch, Pekinese Stitch, Stem Stitch, Hemstitch, Blanket Stitch, Buttonhole Stitch, Roumainian Stitch, Fly Stitch, Couching, Needleweaving, Chevron Stitch, Straight Stitch, Holbein Stitch, French Knots, Coral Stitch, Satin Stitch, Twisted Chain Stitch, Rosette Chain Stitch, Flat Stitch, Bullion Stitch and Feather Stitch.
Tags: Book, Publications, Research, Sewing, Textiles
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Furry Phallus
Tags: Art, Grotesque, Sewing, Textiles, Work in Progress
Posted in Blog, Work In Progress | 12 Comments »
Embroidery Stitches (October 1937)
Having undertaken my very first attempt at embroidery this weekend I came across this really useful instruction booklet full of stitches which was published in 1937 by Modern Home magazine. It’s very concise and covers a whole range of different stitches. It’s definitely worth a quick look if you have an interest in sewing.
You can click here to download the full eight page booklet as a .pdf file.
I’ve also been handed another vintage book of useful stitches from the thirties which I’ll upload at a later date.
Having undertaken my very first attempt at embroidery this weekend I came across this really useful instruction booklet full of stitches which was published in 1937 by Modern Home magazine. It’s very concise and covers a whole range of different stitches. It’s definitely worth a quick look if you have an interest in sewing.
You can click here to download the full eight page booklet as a .pdf file.
I’ve also been handed another vintage book of useful stitches from the thirties which I’ll upload at a later date.
Tags: Research, Sewing, Stitch, Textiles
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Beastly Embroidery
I found some inspiration at Dovecot Studios in Edinburgh last week. They currently have an extraordinary exhibition of Indian and South East Asian textiles on display called Heirlooms. The works that have turned my head to embroidery were a number of hand embroidered Kantha. Kantha are hand embroidered quilts generally of Bengali origin.
I’ve been sitting on my Bestial Drawings for a little while now, slightly unsure as to how to take the work forward. Creating my own Kantha from these drawings seems quite fitting. Traditional Kantha often told stories through the images that were embroidered onto them and similarly the animals that are pictured in my series of drawings are taken from the pages of Welsh mythology.
Having never attempted an embroidery before I thought it would be best to start with a small sampler. The pictured image is of a a design embroidered onto a small piece of fabric approximately 25cm square. Having transferred my drawing onto the fabric using carbon paper I’ve used basic black cotton thread and a split stitch which seems to work quite well.
Bearing in mind that the final piece that I’m aiming to create is essentially a quilt, I’ve used a thermal lined cotton fabric which is actuallly lovely to work with as it doesn’t fray.
I found some inspiration at Dovecot Studios in Edinburgh last week. They currently have an extraordinary exhibition of Indian and South East Asian textiles on display called Heirlooms. The works that have turned my head to embroidery were a number of hand embroidered Kantha. Kantha are hand embroidered quilts generally of Bengali origin.
I’ve been sitting on my Bestial Drawings for a little while now, slightly unsure as to how to take the work forward. Creating my own Kantha from these drawings seems quite fitting. Traditional Kantha often told stories through the images that were embroidered onto them and similarly the animals that are pictured in my series of drawings are taken from the pages of Welsh mythology.
Having never attempted an embroidery before I thought it would be best to start with a small sampler. The pictured image is of a a design embroidered onto a small piece of fabric approximately 25cm square. Having transferred my drawing onto the fabric using carbon paper I’ve used basic black cotton thread and a split stitch which seems to work quite well.
Bearing in mind that the final piece that I’m aiming to create is essentially a quilt, I’ve used a thermal lined cotton fabric which is actuallly lovely to work with as it doesn’t fray.
Tags: Art, Sewing, Stitch, Textiles, Work in Progress
Posted in Blog, Work In Progress | 2 Comments »



































