Posts Tagged ‘Craft’

Contextual Categories: Art and Craft

Wednesday, May 22nd, 2013
Posted in: Blog

Art vs Craft

In the last issue of Crafty Magazine columnist Mr X Stitch opened up the old Art and Craft debate which got me thinking. As someone who studied Fine Art, and now employing material processes which many consider to be ‘Crafts’, I have increasingly found myself giving more thought to issues which relate to this debate.

The boundaries between Art and Craft have been contested for long time now with Craft often coming off worse – often being associated with amateurism and craft fairs. It is an argument that continues today as Mr X Stitch’s article illustrates and I know a fair few ceramicists in particular who continue to struggle with this debate.

It surprises me somewhat however that the debate hasn’t really developed beyond pitting one against the other. The question still asked is something akin to; “Is this work Art or is it Craft?”

Art and Craft are different. Art is not Craft and Craft is not Art. Likewise Illustration is not Art and Art is not Illustration; Photography is not Art and Art is not Photography; Painting is not Art and Art is not Painting.

These terms are independent of one another and describe niche disciplines or areas of intellectual or material processes within the arts.

If we consider “image X”, for example, it might be widely be agreed that that this work is an Illustration. However, that does not mean to say that “Image X” cannot also be Art.

In fact “Image X” might reasonabley be considered to be Illustration, Art, Drawing, Design and Painting all at the same time.

Contextual Categories

These categories that we apply to describe creative works are fluid. They are independent of one another and there is absolutely no reason why we cannot apply more than one of them to any individual piece of work.

So returning to Craft let us consider “Object Z” which is widely agreed to be Craft. There is absolutely no reason why this piece of work cannot simultaneously be considered Art.

In fact if “Object Z” happened to be one of my own embroideries, for example, Synchronous Hermaphrodites, I would be as comfortable labelling this work as Art as I would Craft as well as Textiles, Drawing and Fibre Art amongst others.

All of these labels are applicable in helping to define this piece of work. Labelling it as only Craft rejects the research that went into developing the themes that I am trying to explore through the work. On the other hand labelling it as only Art ignores the time and effort that was put into realising the outcome of my research.

Of course some may not agree that all of these labels are appropriate to describe my work. That some might find it difficult to consider one of my Synchronous Hermaphrodites embroideries as Drawing is understandable. Categories are contextual and specific to an individual as Daniel Levitin argues in his book “This is Your Brain on Music”. Levitin states that one person’s Heavy Metal music might be another person’s Rock music. Continuing with this vain of thought it is reasonable to assert that one person’s Art might be another person’s Craft and even another’s Illustration.

This argument for contextual categories is supported by John Carey. In his book “What Good Are The Arts?” Carey argues that anything can be Art if someone considers that something to be Art. The rationale that one might apply to a piece of work in order to categorise it might include any number of things such as education or the influence of friends and acquaintances amongst others.

So whilst I might consider “Object Z”, which we have widely agreed to be Craft, to also be Art, the next person may disagree and consider the work to be perhaps both Craft and Illustration but not Art.

Individual Perspectives

In his article in Crafty Magazine Mr X Stitch postulates that a lay person might categorise work thusly; “This is a painting, therefore it’s art. That is a cross stitch therefore it’s craft”.

This might be true for that individual but that is not to say that the cross stitch mentioned might also be considered Art by the next person. The qualities that one individual looks for in a piece of work to identify which categories should be applied to it may differ considerably depending on many external factors.

Mr X Stitch goes on to state that “to decide that work made with a needle and thread can’t be art is rubbish”.

But is it not rubbish to so swiftly belittle someone else’s opinion as to what is Art and what is not?

After all we are not all engaged with the arts to the same degree. We are all different, a fact that we are regularly encouraged to celebrate, and the combinations of criteria that we might apply to categorise a piece of work might vary infinitely.

Back in school I remember that a large preponderance of the work studied and created during art classes revolved around painting, drawing and occasionally sculpture. Assuming that art lessons around the country are delivered in similar ways due to the National Curriculum it would be understandable that many people whose engagement with the arts ended after the completion of their GCSEs, if not earlier, might apply such critique as “This is a painting, therefore it’s art”. If they never acquired any experience of working with stitch during art classes then the possibility of cross stitch being considered Art may never have entered into their mind.

I have completed quite a robust education in the arts and so my own criteria for categorising works are quite different to what they might have been if I had given up following a creative path after completing my GCSEs. Being rooted in the visual arts I tend to think of Art as visual philosophy; I see it as referring to the intellectual rigour with which a work is underpinned, whilst I view Craft as the material processes which were engaged with in the physical creation of a work; whether that be sewing, drawing, painting or otherwise. These may be means-end processes but they are still as important, in my opinion, as the intellectual input that fuels the creation of new work.

Whilst the term ‘Craft’ might be used in the pejorative and the term ‘Art’ might often appear to some to be pretentious there is no reason why the two have to be mutually exclusive.


Do comment below with your view. I’d be interested to hear of others’ opinions on this topic and how you distinguish one creative category from another.

If you enjoyed this post you might enjoy listening to Grayson Perry musing along similar lines in this video from the V&A.

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Diffusion Festival Embroidered Photographs Workshop

Wednesday, May 15th, 2013
Posted in: Blog, Events

Diffusion Festival Embroidered Photographs Workshop

Diffusion Festival Embroidered Photographs Workshop

Last weekend I led an embroidered photographs workshop at Chapter Art Centre in Cardiff as a part of the Diffusion photography festival. It was an enjoyable day with two groups of participants bringing their own twists to the workshops.

I had provided a number of patterns based upon some creative commons licensed images that I had sourced for the workshop. Those taking part used these as test pieces to get a feel for how you might go about embroidering onto a photograph. Having explored some of the techniques used the participants took their needle and threads to some of their own images.

It was great to see that most all of the participants expanded upon on the original patterns that were provided to create some unique patterns and embellishments.

You can view some of the results below.

Click to view full size images
Diffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Portraits WorkshopDiffusion Festival  Embroidered Portraits WorkshopDiffusion Festival  Embroidered Portraits Workshop

The Diffusion Festival continues until the end of May. If you can’t make any or all of the events and exhibitions do check out the Diffusion Experience via their website.

Diffusion International Photography Festival

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Hand Embroidered Espadrilles

Monday, April 29th, 2013
Posted in: Blog

Embroidered Espadrilles | Contemporary Crafts

Hand Embroidered Espadrilles

It was my little sister’s birthday this week just gone. With summer on its way… in theory at least, I decided to embellish a pair of espadrilles as a birthday gift for her.

They can be a little fiddly to embroider onto as there’s not a lot of room in the toes of the shoes in which to work. Luckily I found a top tip in my Folk Art Needlecraft book which suggested starting by embroidering a row of stitches across the toe opening; this gave me a point at which to tie off my threads rather than getting myself in a muddle beneath the fabric at the tip of the shoe.

Having established some stitches across the opening I found the centre of the front of the shoe and stitched an eight pointed star. From this starting point I made up the pattern as I went along adding rings of stitches in alternating purple shades. I even added a splash of metallic purple stitches to give the shoes some pizzazz.

If you’re not comfortable making up your pattern as you go along you could buy some espadrilles in a lighter colour which would allow you to draw on a design with a soluble pen or some chalk.

It took me a while to get my head in the right space to embroider these shoes. My preference is usually for small tight split stitches usingh single strands of floss, but without the room to manoeuvre beneath the fabric I had to find a chunkier solution using running stitches and back stitches for the most part.

There’s no excuse really for not rocking your socks off with a pair of hand embellished espadrilles this summer.

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Embroidered Portraits Workshop

Wednesday, April 17th, 2013
Posted in: Blog, News Feed

Maurizio Anzeri - Portrait Yellow

Embroidered Portraits Workshop

As a part of the forthcoming Diffusion Photography Festival I have been asked to lead an Embroidered Portraits workshop at Chapter Art Centre on Saturday 11 May 2013.

During this workshop you will have an opportunity to make your own combined media artwork, inspired by Maurizio Anzeri’s embroidered ‘photo sculptures’, which will be showing in Chapter’s Gallery. Learn how to sew directly onto vintage photographs to create colourful, shimmering three-dimensional objects to take home. A selection of photographs will be provided but please feel free to bring your own black and white photographs to embellish. Sewing materials will be provided.

These workshops are FREE and will last approximately two hours. Workshops will start at 11.00am and again at 2.00pm.

To book a place click here.

Children must be accompanied by an adult.

About Maurizio Anzeri

Maurizio Anzeri was born in Loano, Italy in 1969. He studied his BA at Camberwell College of Arts and an MFA at The Slade School of Art. He lives in London.

Diffusion International Photography Festival

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Handmade Cluedo Quilt

Saturday, April 13th, 2013
Posted in: Blog

Cluedo Quilt by Monica Dennis

Mother Spike’s Handmade Cluedo Quilt

My mother is a crafty soul and a dab hand with a needle and thread. Her current fancy is for patchwork and quilting which has led to the creation of this Cluedo inspired masterpiece.

She made this quilt for my brother and it’s been custom made with each family member as a character from Cluedo. According to the cards at the centre of the quilt Colonel Mustard did it with the Spanner in the Study. Though in this instance my brother’s head has been superimposed onto Colonel Mustard.

The quilt also folds up and tucks neatly into a pillow on which the rest of the family are pictured. I’m Professor Plum (of course), my little sister is Miss Scarlett, Mother is Mrs Peacock and my Father is Reverend Green. This custom family edition of the cards was neatly produced with Photoshop and some printable fabric.

I’m a little jealous that this is headed to my brother’s house although I’ve suggested to Mother Spike that I wouldn’t say no to a Scrabble quillow for myself… watch this space!

You can check out more of Mother Spike’s craft adventures on her blog – www.monicadennis.wordpress.com

Click the thumbnails below to view the full size images
Cluedo_Quilt-10Cluedo Quilt by Monica DennisCluedo Quilt by Monica Dennis

Cluedo Quillow by Monica DennisCluedo Quillow by Monica DennisCluedo Quilt by Monica Dennis

Alistair Dennis as Colnel MustardCluedo Quillowby Monica DennisCluedo Quilt by Monica Dennis

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My Embroidery Tool Kit

Friday, April 12th, 2013
Posted in: Blog

My Sewing Tool Kit
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My Embroidery Toolkit

The cool cats over at &Stitches invited us stitchers to share our embroidery tool kits. This is mine.

I carry it around in a lovely zebra print sewing roll made by Mother Spike. In amongst the various bits and bobs you’ll be able to spot some of my main weapons of choice such as strong black thread, Posca and Sharpie markers, a selection of needles including leather work points, a scalpel, a couple of spare bobbins for my floss and a soluble blue pen for sketching my patterns out on fabrics.

Incidentally I find the white and yellow Posca markers really useful for sketching out on dark coloured fabrics – all though you need to be careful as they won’t rinse away like the soluble pens.

Obviously a pair of vorpal scissors are also a must have.

I actually only just got around to making myself a pin cushion this week. This will no doubt very quickly become a staple item in my embroidery tool kit. You can view that in a previous post here.

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The Hobby Horse (1884 – 1894)

Friday, April 12th, 2013
Posted in: Blog

The Hobby Horse publication - Century Guild of Artists

The Hobby Horse Periodical

I stumbled across this publication entitled The Hobby Horse which was published by the Century Guild of Artists between 1884 and 1894. I haven’t come across it before but apparently it’s credited with being the first high quality magazine committed soley to the visual arts. Some view it as being the most iconic mouthpiece of the Arts and Crafts movement.

Contributors to The Hobby Horse included Edward Burne Jones, Ford Madox Brown, John Ruskin and Oscar Wilde; many of whom had no practical experience of the arts and crafts. Compiled from the perspective of the members of the Century Guild of Artists the magazine was packed with scholarly essays, paintings and woodcuts. Unlike other periodicals borne out of the 19 century such as The Yellow Book the Hobby Horse did not preach an aesthetic elitism.

The aesthetic values and tone of the magazine stand somewhere between the Utopian idealism of Morris and Ruskin and the specialized art for art’s sake coterie world of The Yellow Book and Savoy.

- (Codell J.F. “The Century Guild Hobby Horse“, Victorian Periodicals Review, Vol. 16, No. 2 1983 pp. 43-53)

I do love the woodcut printed cover (pictured above). With my growing interest in the Art and Crafts debate I’d be keen to find a couple of copies of this publication to peruse but I’ve a feeling that might be easier said than done. A trip to the British Library might be in order.

If you’re interested in finding out more about this publication and its historical significance you might find Matthew Tildesley’s thesis The Century Guild Hobby Horse & Oscar Wilde: A Study of British Little Magazines of interest.

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Sew Sexy Pin Cushion

Thursday, April 11th, 2013
Posted in: Blog

Sew Sexy Pin Cushion | Spike Dennis

Sew Sexy Pin Cushion | Spike Dennis

Sew Sexy Pin Cushion

I finally got around to making myself a pin cushion. I can now stop using the arm of my sofa to store my pins and hopefully this will result in me sitting on less of them!

I made the pin cushion with a piece of calico that Crafty Magazine gave away with their first printed issue. A nice idea for a freebie!

I borrowed a little inspiration from my Bedsheets not Spreadsheets embroidery in the creation of this to create a miniature pillow. The lettering is embroidered in cotton threads with running and split stitches.

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Retro Computer Game Needlecraft

Saturday, March 30th, 2013
Posted in: Blog

Computer Game Needlecraft by Per Fahger - Crafted Worlds at Stene Projects (2011)

Computer Game Needlecraft by Per Fahger - Megaman IV (Chain Stitch & Wool)

Retro Computer Game Needlecraft

Per Fahger’s choice of retro computer games as inspiration for his needlecraft is a perfect match. The pixelated imagery of these long fogotten computer games of the 80s and 90s maps easily onto the grip based systems that are used to create needlecraft patterns.

Per´s choice of material, technique and color gives us a perfect example of how traditional crafts can receive a new expression and context in the modern world.

The use of these age old methods of making to replicate these previously digitally rendered images is interesting. It draws our attention to the fact that despite our technologies having advanced, the imagery we produce is still very much of the same ilk. It’s only the methods of production that have changed significantly.

Maps pictured in the recreation of old Super Mario Brothers games resemble medieval documents rather than the ordnance survey maps we’re familiar with today. Meanwhile the colours of works such as Kirby’s Adventure remind me somewhat of paintings by the pre-Raphaelites and Seiken Densetsu III looks like it could be the work of a Romanticist.

Whilst the Romantic artists of the eighteenth century looked back to medieval times for inspiration Per Fahger is looking back to the eighties and ninties with a nostalgic eye.

For today’s 30- and 40-somethings, digital environments are as meaningful as concrete ones. Perhaps more. Thus, the urgency of preserving them, as textile artifacts, becomes perfectly comprehensible. – Matteo Bittanti

You can view more of Per’s work on the Stene Projects website.

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Gillian Travis – Quilting Workshop

Wednesday, March 27th, 2013
Posted in: Blog

Gillian Travis - Contemporary Quilt Workshop

Gillian Travis – Contemporary Quilting Workshop

The ‘Teasels, Cow Parsley and Seed Heads Workshop’ hosted by the Cutting Edge textile group will be facilitated by award winning textile artist Gillian Travis on Thursday 27 June 2013 at Ystradowen Village Hall, near Cowbridge, Vale of Glamorgan.

Gillian is an experienced textiles tutor, who uses innovative textile techniques, inspired by her travels and the surrounding landscape. We are thrilled that she has decided to travel from her small village in the South Pennines to join us here in the Vale.

In addition to holding creative textile classes, Gillian’s own work focuses on print, paint, felt and machine stitch. Examples of her work can be found at her website.

The atmosphere will be friendly and informal and the number of participants will be limited to 12 to ensure you receive individual attention.

The fee for this workshop is £40.00. Places will be confirmed on receipt of a completed booking form (click to download) and cheque (made payable to ‘Monica Dennis’)

For more infromation email Monica Dennis (mdennis.wales[at]gmail.com) or visit www.cuttingedgetextiles.wordpress.com

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