Spike's Blog

Drawing in Between Seminar

Thursday, June 13th, 2013
Posted in: Blog, Events, Exhibitions, News Feed

Drawing in Between - Natasha Mayo
Image: Natasha Mayo Studio Practice

Drawing In Between: Interdisciplinary Learning Through Drawing

I’ll be exhibiting work from my series of Synchronous Hermaphrodites embroideries at the Howard Gardens Gallery in Cardiff next week to coincide with Cardiff School of Art & Design’s Drawing in Between seminar.

Drawing is the first means by which we reach out and respond to the world and increasingly, the means by which artists are questioning our understanding of it. This seminar aims to examine the capacity of drawing as a cognitive tool, specifically how drawing might be used to gain access to, explore and communicate other bodies of knowledge.

It will examine how drawing is currently employed across the disciplines including textiles, ceramics, illustration, and how drawing can articulate the spaces between art and science, mathematics and sound.

Speakers at the event include:

The project is funded by HEA and so CSAD are able to offer places at the seminar free of charge as a precursor to a larger event in the future. Its aim is to provoke discussion into the potential for drawing to extend research and learning within an art school. To book your place please email Angie Dutton adutton [at] cardiffmet.ac.uk or call 029 20416628.

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Contextual Categories: Art and Craft

Wednesday, May 22nd, 2013
Posted in: Blog

Art vs Craft

In the last issue of Crafty Magazine columnist Mr X Stitch opened up the old Art and Craft debate which got me thinking. As someone who studied Fine Art, and now employing material processes which many consider to be ‘Crafts’, I have increasingly found myself giving more thought to issues which relate to this debate.

The boundaries between Art and Craft have been contested for long time now with Craft often coming off worse – often being associated with amateurism and craft fairs. It is an argument that continues today as Mr X Stitch’s article illustrates and I know a fair few ceramicists in particular who continue to struggle with this debate.

It surprises me somewhat however that the debate hasn’t really developed beyond pitting one against the other. The question still asked is something akin to; “Is this work Art or is it Craft?”

Art and Craft are different. Art is not Craft and Craft is not Art. Likewise Illustration is not Art and Art is not Illustration; Photography is not Art and Art is not Photography; Painting is not Art and Art is not Painting.

These terms are independent of one another and describe niche disciplines or areas of intellectual or material processes within the arts.

If we consider “image X”, for example, it might be widely be agreed that that this work is an Illustration. However, that does not mean to say that “Image X” cannot also be Art.

In fact “Image X” might reasonabley be considered to be Illustration, Art, Drawing, Design and Painting all at the same time.

Contextual Categories

These categories that we apply to describe creative works are fluid. They are independent of one another and there is absolutely no reason why we cannot apply more than one of them to any individual piece of work.

So returning to Craft let us consider “Object Z” which is widely agreed to be Craft. There is absolutely no reason why this piece of work cannot simultaneously be considered Art.

In fact if “Object Z” happened to be one of my own embroideries, for example, Synchronous Hermaphrodites, I would be as comfortable labelling this work as Art as I would Craft as well as Textiles, Drawing and Fibre Art amongst others.

All of these labels are applicable in helping to define this piece of work. Labelling it as only Craft rejects the research that went into developing the themes that I am trying to explore through the work. On the other hand labelling it as only Art ignores the time and effort that was put into realising the outcome of my research.

Of course some may not agree that all of these labels are appropriate to describe my work. That some might find it difficult to consider one of my Synchronous Hermaphrodites embroideries as Drawing is understandable. Categories are contextual and specific to an individual as Daniel Levitin argues in his book “This is Your Brain on Music”. Levitin states that one person’s Heavy Metal music might be another person’s Rock music. Continuing with this vain of thought it is reasonable to assert that one person’s Art might be another person’s Craft and even another’s Illustration.

This argument for contextual categories is supported by John Carey. In his book “What Good Are The Arts?” Carey argues that anything can be Art if someone considers that something to be Art. The rationale that one might apply to a piece of work in order to categorise it might include any number of things such as education or the influence of friends and acquaintances amongst others.

So whilst I might consider “Object Z”, which we have widely agreed to be Craft, to also be Art, the next person may disagree and consider the work to be perhaps both Craft and Illustration but not Art.

Individual Perspectives

In his article in Crafty Magazine Mr X Stitch postulates that a lay person might categorise work thusly; “This is a painting, therefore it’s art. That is a cross stitch therefore it’s craft”.

This might be true for that individual but that is not to say that the cross stitch mentioned might also be considered Art by the next person. The qualities that one individual looks for in a piece of work to identify which categories should be applied to it may differ considerably depending on many external factors.

Mr X Stitch goes on to state that “to decide that work made with a needle and thread can’t be art is rubbish”.

But is it not rubbish to so swiftly belittle someone else’s opinion as to what is Art and what is not?

After all we are not all engaged with the arts to the same degree. We are all different, a fact that we are regularly encouraged to celebrate, and the combinations of criteria that we might apply to categorise a piece of work might vary infinitely.

Back in school I remember that a large preponderance of the work studied and created during art classes revolved around painting, drawing and occasionally sculpture. Assuming that art lessons around the country are delivered in similar ways due to the National Curriculum it would be understandable that many people whose engagement with the arts ended after the completion of their GCSEs, if not earlier, might apply such critique as “This is a painting, therefore it’s art”. If they never acquired any experience of working with stitch during art classes then the possibility of cross stitch being considered Art may never have entered into their mind.

I have completed quite a robust education in the arts and so my own criteria for categorising works are quite different to what they might have been if I had given up following a creative path after completing my GCSEs. Being rooted in the visual arts I tend to think of Art as visual philosophy; I see it as referring to the intellectual rigour with which a work is underpinned, whilst I view Craft as the material processes which were engaged with in the physical creation of a work; whether that be sewing, drawing, painting or otherwise. These may be means-end processes but they are still as important, in my opinion, as the intellectual input that fuels the creation of new work.

Whilst the term ‘Craft’ might be used in the pejorative and the term ‘Art’ might often appear to some to be pretentious there is no reason why the two have to be mutually exclusive.


Do comment below with your view. I’d be interested to hear of others’ opinions on this topic and how you distinguish one creative category from another.

If you enjoyed this post you might enjoy listening to Grayson Perry musing along similar lines in this video from the V&A.

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Diffusion Festival Embroidered Photographs Workshop

Wednesday, May 15th, 2013
Posted in: Blog, Events

Diffusion Festival Embroidered Photographs Workshop

Diffusion Festival Embroidered Photographs Workshop

Last weekend I led an embroidered photographs workshop at Chapter Art Centre in Cardiff as a part of the Diffusion photography festival. It was an enjoyable day with two groups of participants bringing their own twists to the workshops.

I had provided a number of patterns based upon some creative commons licensed images that I had sourced for the workshop. Those taking part used these as test pieces to get a feel for how you might go about embroidering onto a photograph. Having explored some of the techniques used the participants took their needle and threads to some of their own images.

It was great to see that most all of the participants expanded upon on the original patterns that were provided to create some unique patterns and embellishments.

You can view some of the results below.

Click to view full size images
Diffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Photographs WorkshopDiffusion Festival  Embroidered Portraits WorkshopDiffusion Festival  Embroidered Portraits WorkshopDiffusion Festival  Embroidered Portraits Workshop

The Diffusion Festival continues until the end of May. If you can’t make any or all of the events and exhibitions do check out the Diffusion Experience via their website.

Diffusion International Photography Festival

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Embroidered Welsh Samplers

Sunday, May 12th, 2013
Posted in: Blog

Welsh Embroidered Sampler | St Fagans Museum Wales
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Embroidered Welsh Samplers

Last Friday I headed over to the National Museum of Wales at St Fagans to visit the Textiles department. The Curator for Textiles, Elen Phillips, had kindly agreed to let me examine some of the old embroidered samplers in their collections.

The museum has hundreds of these creations but there are less than a handful on display – in no small part due to the current re-development project that is in progress and due for completion in 2016.

Whilst these embroideries might not be on public display at present you can make an appointment to view parts of the collection. Elen kindly dug out three boxes full of embroideries for me to look through which kept me entertained and engrossed for hours.

Embroidered Welsh Samplers | St Fagans Museum Wales

One of the first things I noticed about these embroideries was just how many of them were created by young girls aged from 7 – 11 years old. The scale and complexity of the designs that have been stitched by these young girls is quite staggering. I could never imagine a child of that age today undertaking the amount of work that would be necessary to complete one of these samplers.

The other thing that initially struck me about these creations was the size of the stitches that have been used. They are absolutely tiny!

I’d have to set myself up with a string daylight bulb and a magnifying class before even considering embroidering something with such small stitches.

Embroidered Welsh Samplers | St Fagans Museum Wales

The word ‘sampler’, or in French ‘essamlaire’, indicates that these works were intended to be exemplar pieces. Needle workers would use them as models from which to stitch. This is perhaps why so may of the samplers contain varying strings of alphabets and numbers often in different fonts.

That said many of the samplers are created as testimonials in remembrance of lost loved ones and others contain religious messages.

A large number of the samplers were completely monochromatic; completed using only one colour of thread. This is perhaps understandable if these works had been created by young girls wanting to practice their stitches. Choosing to perfect ones stitches before introducing another layer of complexity in terms of colour makes sense.

Blackwork Embroidery | St Fagans Museum Wales

There was however, only one example of black work embroidery (above) which is a shame. Black work tends to appear particularly stylised and given that a lot of my own embroideries are very monochromatic I’d have liked to have been able to examine a bit for of it up close.

Embroidered Welsh Samplers - SampleriCymreig | St Fagans Museum Wales

This recumbent stag created by Elizabeth Harvey in Penarth (1815) was one of my favourite images from those that I was able to examine. Like the majority that I looked at it was created using mostly cross stitches.

I found it interesting that so many of these works were created using cross stitch given the fine linen they were sewn upon. I think the combination of a fine ground and the cross stitch is a cause for some of incredibly tiny stitches. Upon closer inspection it looked as if the stitchers had tried to use the fine weave of the ground as guides for theor stitches in the same way that a cross stitcher might use Aida fabric.

The collection provided exactly the kind of inspiration that I was looking for as I’m starting to thing about beginning a new series of embroideries. If you have the inclination and opportunity I would definitely recommend booking yourself an appointment to view some of these works for yourself.

Find out more about St Fagans here: www.museumwales.ac.uk/en/stfagans/

Embroidered Welsh Samplers - SampleriCymreig | St Fagans Museum WalesEmbroidered Welsh Samplers - SampleriCymreig | St Fagans Museum WalesEmbroidered Welsh Samplers - SampleriCymreig | St Fagans Museum Wales

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Ready… Steady…

Saturday, May 11th, 2013
Posted in: Blog, Instagram

Ready… Steady… #fb via Instagram May 11, 2013 at 10:16AM

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England’s Unicorns Sketches

Wednesday, May 1st, 2013
Posted in: Blog

England's Unicorn Sketch

England's Unicorn Sketch

England’s Unicorns Sketches

These are just a couple of quick sketches I roughed up as I worked through an idea for a new art project. They’re drawn on paper with cotton thread and black ink.

You can find more of my unicorn studies on my other website: www.unicorn-porn.com

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Hand Embroidered Espadrilles

Monday, April 29th, 2013
Posted in: Blog

Embroidered Espadrilles | Contemporary Crafts

Hand Embroidered Espadrilles

It was my little sister’s birthday this week just gone. With summer on its way… in theory at least, I decided to embellish a pair of espadrilles as a birthday gift for her.

They can be a little fiddly to embroider onto as there’s not a lot of room in the toes of the shoes in which to work. Luckily I found a top tip in my Folk Art Needlecraft book which suggested starting by embroidering a row of stitches across the toe opening; this gave me a point at which to tie off my threads rather than getting myself in a muddle beneath the fabric at the tip of the shoe.

Having established some stitches across the opening I found the centre of the front of the shoe and stitched an eight pointed star. From this starting point I made up the pattern as I went along adding rings of stitches in alternating purple shades. I even added a splash of metallic purple stitches to give the shoes some pizzazz.

If you’re not comfortable making up your pattern as you go along you could buy some espadrilles in a lighter colour which would allow you to draw on a design with a soluble pen or some chalk.

It took me a while to get my head in the right space to embroider these shoes. My preference is usually for small tight split stitches usingh single strands of floss, but without the room to manoeuvre beneath the fabric I had to find a chunkier solution using running stitches and back stitches for the most part.

There’s no excuse really for not rocking your socks off with a pair of hand embellished espadrilles this summer.

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Embroidered Portraits Workshop

Wednesday, April 17th, 2013
Posted in: Blog, News Feed

Maurizio Anzeri - Portrait Yellow

Embroidered Portraits Workshop

As a part of the forthcoming Diffusion Photography Festival I have been asked to lead an Embroidered Portraits workshop at Chapter Art Centre on Saturday 11 May 2013.

During this workshop you will have an opportunity to make your own combined media artwork, inspired by Maurizio Anzeri’s embroidered ‘photo sculptures’, which will be showing in Chapter’s Gallery. Learn how to sew directly onto vintage photographs to create colourful, shimmering three-dimensional objects to take home. A selection of photographs will be provided but please feel free to bring your own black and white photographs to embellish. Sewing materials will be provided.

These workshops are FREE and will last approximately two hours. Workshops will start at 11.00am and again at 2.00pm.

To book a place click here.

Children must be accompanied by an adult.

About Maurizio Anzeri

Maurizio Anzeri was born in Loano, Italy in 1969. He studied his BA at Camberwell College of Arts and an MFA at The Slade School of Art. He lives in London.

Diffusion International Photography Festival

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Handmade Cluedo Quilt

Saturday, April 13th, 2013
Posted in: Blog

Cluedo Quilt by Monica Dennis

Mother Spike’s Handmade Cluedo Quilt

My mother is a crafty soul and a dab hand with a needle and thread. Her current fancy is for patchwork and quilting which has led to the creation of this Cluedo inspired masterpiece.

She made this quilt for my brother and it’s been custom made with each family member as a character from Cluedo. According to the cards at the centre of the quilt Colonel Mustard did it with the Spanner in the Study. Though in this instance my brother’s head has been superimposed onto Colonel Mustard.

The quilt also folds up and tucks neatly into a pillow on which the rest of the family are pictured. I’m Professor Plum (of course), my little sister is Miss Scarlett, Mother is Mrs Peacock and my Father is Reverend Green. This custom family edition of the cards was neatly produced with Photoshop and some printable fabric.

I’m a little jealous that this is headed to my brother’s house although I’ve suggested to Mother Spike that I wouldn’t say no to a Scrabble quillow for myself… watch this space!

You can check out more of Mother Spike’s craft adventures on her blog – www.monicadennis.wordpress.com

Click the thumbnails below to view the full size images
Cluedo_Quilt-10Cluedo Quilt by Monica DennisCluedo Quilt by Monica Dennis

Cluedo Quillow by Monica DennisCluedo Quillow by Monica DennisCluedo Quilt by Monica Dennis

Alistair Dennis as Colnel MustardCluedo Quillowby Monica DennisCluedo Quilt by Monica Dennis

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My Embroidery Tool Kit

Friday, April 12th, 2013
Posted in: Blog

My Sewing Tool Kit
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My Embroidery Toolkit

The cool cats over at &Stitches invited us stitchers to share our embroidery tool kits. This is mine.

I carry it around in a lovely zebra print sewing roll made by Mother Spike. In amongst the various bits and bobs you’ll be able to spot some of my main weapons of choice such as strong black thread, Posca and Sharpie markers, a selection of needles including leather work points, a scalpel, a couple of spare bobbins for my floss and a soluble blue pen for sketching my patterns out on fabrics.

Incidentally I find the white and yellow Posca markers really useful for sketching out on dark coloured fabrics – all though you need to be careful as they won’t rinse away like the soluble pens.

Obviously a pair of vorpal scissors are also a must have.

I actually only just got around to making myself a pin cushion this week. This will no doubt very quickly become a staple item in my embroidery tool kit. You can view that in a previous post here.

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